Unpacking the ArteArchive

ARCHIVES OF POWER: The Palestinian Film Archive and the Erasure of History

Expired March 18, 2024 3:59 AM
Already unlocked? for access
6 films in package
OFF FRAME (AKA Revolution Until Victory)
A unique historical portrait of the Palestinian people's struggle to produce their own image. Using material long hidden in archives across the globe, the film reaches back through the modern history of Palestine and reverses decades of colonial dominance with a mosaic of struggle from the perspective of the colonized.
Kings and Extras: Digging for a Palestinian Image
The films in the PLO Media Unit were supposed to show a self-determined image of Palestinian reality – and they went missing during the Israeli invasion of Beirut in 1982. In a « road movie » from Palestine to Jordan, Syria and Lebanon, director Azza El-Hassan follows the contradicting and confusing clues as to the whereabouts of the lost archive.
Palestine in the Eye
Palestine in the Eye chronicles the profound impact of Hani Jawharieh’s death for the PLO Film Unit. The film reflects on his life through interviews with family, colleagues, and his own cinematography, including the moment of his death while filming for the Unit in 1976.
The Upper Gate
The Upper Gate was about Sidon (The capital of the south of Lebanon), the filmmaker Arab Loutfi’s home town; in which she wove a history of the city through the stories of its people. In her film she tries after the 1982 Israeli invasion, which caused so much damage and chaos, to reconstruct her own memories of the place offering accounts of herself, her sister Maha, her uncle and her friends, interspersing them with newspaper clips and personal photographs to illustrate her preoccupations and concerns in relation to Sidon at different times.
The Road to Palestine
In Layaly Badr’s documentary short, Road to Palestine, seven-year-old Layla – who has been badly injured in an air raid – lives in a refugee camp outside Palestine. Layla and her friends describe how they imagine Palestine, despite never having seen it.
Jerusalem, Flower of All Cities
Set to the famous song by Fairouz, Flower of All Cities, a harmonious picture of Palestinian civil life in Jerusalem is disturbed by the Israeli army’s occupation of the city following the 1967 war. A rare example of the work of Hani Jawharieh, one of founding fathers of Palestinian cinema.

Archives, often perceived as impartial guardians of history, are actually deeply entwined with political agendas. In the context of the Palestinian struggle, archives have been systematically pillaged and obliterated by the Israeli state and military, resulting in the loss of invaluable records of Palestinian history and resistance. Among the missing archives are decades of footage by the Palestine Liberation Organization’s (PLO) Palestine Film Unit (PFU). This collective of militant filmmakers emerged in the late 1960s, utilizing the camera as a tool of resistance to document the Palestinian experience and the struggle for liberation.

 

The film program features documentaries about the Palestinian film archive and filmic legacy – Azza El-Hassan’s KINGS AND EXTRAS: DIGGING FOR A PALESTINIAN IMAGE (2004), Mohanad Yaqubi’s OFF FRAME (aka REVOLUTION UNTIL VICTORY) (2016)– as well as a selection of earlier films created during the revolutionary Palestinian film era, which have recently been restored as part of El-Hassan’s invaluable initiative, The Void Project, which was founded in 2018 to explore the presence and absence of the Palestinian visual archives as a discourse in narrative formation, and to restore and distribute some of the surviving films of the era. 

 

ARCHIVES OF POWER ultimately strives to amplify the voices and stories that have been marginalized and suppressed, reclaiming agency and autonomy in defiance of ongoing attempts to erase Palestinian history and visual narrative. This program serves as an indispensable platform for comprehending and challenging the mechanisms of oppression and resistance within the domain of archival representation.

The Road to Palestine (1983)

Produced by the Palestinian Liberation Organization


An animated short film for children. The film is based on the testimony of the girl Laila, who lives in a Palestinian refugee camp.


Layaly Badr is a Jordanian with Palestinian roots. She started working as a children’s story writer, before studying film-making in Germany and screenwriting in the New York Film Academy. She has two published books: ‘Lobana Wal Qamar’ and ‘Nahr Wa Shajara’. Badr haswon several awards for her films and television work. Her films are distinguished musicals, combining live action with animation. Her short movie “The Way To Palestine” won The Golden Lorbeer from the German TV, the best complete piece of work for children at the Arab TV Festival in Tunisia, the Pioneer Prize at the Damascus TV festival, and received a Special Mention at the Isphahan Children Film Festival. Badr was the head of ART Children's Channel, then moved into the cinema industry as a producer and distributor. She worked as a managing director in the two biggest networks in the Middle East: ART and Rotana. She has also worked as a consultant for two of Egyptian networks: Al Nahar and ON TV. Currently she works as a freelancer. (Courtesy Another Gaze Journal - Another Screen)

  • Year
    1983
  • Runtime
    7 minutes
  • Language
    Arabic
  • Country
    Palestine
  • Director
    Layaly Badr
  • Screenwriter
    Layaly Badr
  • Producer
    Palestinian Liberation Organization