A group of doctors tries to surprise their friend, Sogand, but an unexpected incident involving her puts their relationships to the test. Tensions rise, and the conflict between them escalates beyond their control- leading to a critical moment where something terrible happens to Erfan. Now, the group faces a dilemma: to choose between their duty as doctors or saving themselves.

Director Biography

Mostafa Ghanbarizadeh was born on April 25, 1996, in Chalous, Iran. He is an Iranian filmmaker specializing in cinematography and directing. He holds an Associate’s degree in Cinema with a focus on Cinematography and a Bachelor’s degree in Cinema with a focus on Directing. He has also earned filmmaking and screenwriting certificates from the Iranian Youth Cinema Society, as well as a professional cinematography diploma from the Bamdad International Institute.

Mostafa began his filmmaking journey at the age of 16. His passion for surreal and psychoanalytic cinema is evident in his works, which often explore themes such as emotional detachment and existential questions. This film is his second short film, following Limbo of the Mind (2020). His experience includes cinematography for over 50 short films, editing for more than 30 short films, and working as an assistant cinematographer on a feature film. Mostafa has received numerous awards for editing and cinematography in both domestic and international film festivals.

Director Statement

I made this film, first and foremost, out of a deep love for filmmaking and the language of visual storytelling. But on a deeper level, I was driven by another concern: I wanted to portray a group of people who claim to be close to one another—individuals who see themselves as capable, educated, even as saviors of others. Yet, when a crisis emerges from within their own circle, they are unable to help themselves.

In a world where we are quick to label ourselves as "problem-solvers" and "heroes," this story asks: What do we do when we are the ones in trouble?

The characters in this film are quiet. They live in silence, in the cold distance between one another—a space where genuine connection has faded and the performance of friendship has taken its place.

I hope viewers will look beyond the surface of the story and ask themselves: Are we truly present for the people around us? Are we aware of our roles and responsibilities—not just in words, but in action?

Ultimately, I want the audience to walk away from the film thinking that the world needs fewer self-proclaimed heroes, and more people who pay attention, who care, and who choose to act when it matters most.

*The feminine noun "Sogand" in Iran means "oath", which is dually associated with both the name of the film character and the meaning of a Hippocratic oath.

Link to official press kit.