Take an intimate look at portraits of people with interesting stories.

This poignant short film captures the resilience of Judith, a Brooklyn poet, as she confronts cancer, food insecurity, and eviction. Despite facing these challenges, Judith's unwavering spirit and poetry inspire hope and connection within her community. Through her story, the film celebrates resilience, the pursuit of legacy, and the enduring power of human connection amidst life's uncertainties.

Judith

On the day that Lansana Mansaray was born, a tree was planted in his name in his father’s Limba village. Now an Emmy and Peabody nominated filmmaker, Mansaray returns to the same village to better understand the essential relationship that Limbas share with the trees that define every aspect of community life.As the smooth highways of Freetown give way to vermillion dirt roads, the car becomes just one means of transport; there’s the scent of chuk chuk plums, a memory of the Matorma sound (a singular rhythm associated with sacred Limba rituals), as well as jokes and poignant moments of connection arising from Mansaray’s diligent efforts to speak Limba. For a “city Limba man” like Mansaray, returning to his deceased father’s homeland becomes a journey of Indigenous reclamation.Amidst celebratory, humorous, and quotidian moments of village life, Mansaray interweaves reflections from a community that has endured more than its share of hardship — colonization, a civil war, and growing threats to the forests that the Limbas treasure. As with pouring out a little palm wine for the ancestors, Ma ŋaye ka Masaala a se ka Wɔmɛti is an offering to those who came before and to those who are still here. But as Mansaray playfully lets the viewer know, some things should not be shared with the rest of the world.

Ma ŋaye ka Masaala a se ka Wɔmɛti (From God To Man)

As the first female Maasai filmmaker, Laissa Malih initially set out to document the land-based practices of her forefathers and ways in which climate change is reshaping Maasai communities. In returning to the IL-Laikipiak Maasai village that her parents left when she was a child, Malih experiences an epiphany: her own life is a reflection of the myriad challenges between Maasai youth and elders, women and men, ancestral ways of passing down essential knowledge and modern methods of education.&nbsp;&nbsp;

ENCHUKUNOTO (The Return)

Up against a broken for-profit medical system, home birth midwife and educator Nubia Earth Martin is a visionary leader in the Birth Justice movement working tirelessly to create more opportunities and empower BIPOC mothers and families to safely give birth at home and support the midwives and birth workers who guide them along their sacred journey. We hear so many negative stories and news coverage of how Black mothers are dying, and that birth is dangerous and scary. The mothers and families who contributed to the film all had a desire to share a different perspective as one of our fore mothers and great-grandmothers who all successfully brought forth life in a beautiful way, so that we as their descendants, would be able to uplift these stories into the present day.

Birth From the Earth

NYC residents from diverse walks of life share questions, concerns, and wisdom around experiences aging as people with disabilities.

Don't Dismiss Us

A filmmaker turns the camera on herself to reveal her struggles with hair loss while talking to my family members about illnesses they are also hiding.

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Intimate Portraits Q&A

Intimate Portraits

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