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Masked images, faulty memories, material memorandums, and formless histories question the shape of what is to come. Echoes reflect off the walls, destabilizing the equilibrium of our spatial awareness. Is knowledge contingent? Are we sitting in a room?
Symphonies of Sound (2024, US, 9’)
Rae Leonovich
Merlin Horse (2025, AU/GB, 6’)
Patrick Tarrant
Words Are The Problem (2025, CA, 22’)
Zebulon Zang
Counter-Reformation (2024, US, 15’)
Caroline Johnson
Unless the Eye Catch Fire (2025, CA, 14’)
Brandon Poole
Pictures of a negative chair (2025, US, 9’)
Magdalena Bermudez
A World in the Evening (2023, US, 9’)
Dan Boord and Luis Valdovino
The self-portrait. The sacred icon. The incarnation. 16th-century Europe is at war with itself over questions of faith and form. Counter-Reformation observes these trends and tribulations, but observation soon gives way to self-reflection in this deeply personal 16mm meditation on religion and the moving image.
- Year2024
- Runtime15 minutes
- CountryUnited States
- DirectorCaroline Johnson
Masked images, faulty memories, material memorandums, and formless histories question the shape of what is to come. Echoes reflect off the walls, destabilizing the equilibrium of our spatial awareness. Is knowledge contingent? Are we sitting in a room?
Symphonies of Sound (2024, US, 9’)
Rae Leonovich
Merlin Horse (2025, AU/GB, 6’)
Patrick Tarrant
Words Are The Problem (2025, CA, 22’)
Zebulon Zang
Counter-Reformation (2024, US, 15’)
Caroline Johnson
Unless the Eye Catch Fire (2025, CA, 14’)
Brandon Poole
Pictures of a negative chair (2025, US, 9’)
Magdalena Bermudez
A World in the Evening (2023, US, 9’)
Dan Boord and Luis Valdovino
The self-portrait. The sacred icon. The incarnation. 16th-century Europe is at war with itself over questions of faith and form. Counter-Reformation observes these trends and tribulations, but observation soon gives way to self-reflection in this deeply personal 16mm meditation on religion and the moving image.
- Year2024
- Runtime15 minutes
- CountryUnited States
- DirectorCaroline Johnson