Masked images, faulty memories, material memorandums, and formless histories question the shape of what is to come. Echoes reflect off the walls, destabilizing the equilibrium of our spatial awareness. Is knowledge contingent? Are we sitting in a room?
Symphonies of Sound (2024, US, 9’)
Rae Leonovich
Merlin Horse (2025, AU/GB, 6’)
Patrick Tarrant
Words Are The Problem (2025, CA, 22’)
Zebulon Zang
Counter-Reformation (2024, US, 15’)
Caroline Johnson
Unless the Eye Catch Fire (2025, CA, 14’)
Brandon Poole
Pictures of a negative chair (2025, US, 9’)
Magdalena Bermudez
A World in the Evening (2023, US, 9’)
Dan Boord and Luis Valdovino
After an eagle fell from the sky into the back of a man’s pickup truck, the man, his dog, and the eagle all died. Their deaths are diffracted through the memories of the man’s sister, over the well in the basement of their family home, and between the pine-slatted walls of the local eagle rehabilitation centre.
- Year2025
- Runtime14 minutes
- CountryCanada
- DirectorBrandon Poole
Masked images, faulty memories, material memorandums, and formless histories question the shape of what is to come. Echoes reflect off the walls, destabilizing the equilibrium of our spatial awareness. Is knowledge contingent? Are we sitting in a room?
Symphonies of Sound (2024, US, 9’)
Rae Leonovich
Merlin Horse (2025, AU/GB, 6’)
Patrick Tarrant
Words Are The Problem (2025, CA, 22’)
Zebulon Zang
Counter-Reformation (2024, US, 15’)
Caroline Johnson
Unless the Eye Catch Fire (2025, CA, 14’)
Brandon Poole
Pictures of a negative chair (2025, US, 9’)
Magdalena Bermudez
A World in the Evening (2023, US, 9’)
Dan Boord and Luis Valdovino
After an eagle fell from the sky into the back of a man’s pickup truck, the man, his dog, and the eagle all died. Their deaths are diffracted through the memories of the man’s sister, over the well in the basement of their family home, and between the pine-slatted walls of the local eagle rehabilitation centre.
- Year2025
- Runtime14 minutes
- CountryCanada
- DirectorBrandon Poole