Centre Film Festival 2025

INTERNATIONAL STUDENT DOCUMENTARY FILMS

Expired November 25, 2025 4:45 AM
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12 films in package
One Day a Meteorite Split a Mountain
Two friends separated by distance embark on a journey to remember their friendship and how it was born out of a love of art.
Commenced
Handwoven
A lyrical portrait of Nikyle Begay, a non-binary shepherd and weaver; working to preserve their way of life through the traditional art of weaving.
Closed captions available
THINGS I NEVER TOLD YOU
Ale embarks on a journey seeking to reconnect with her friend Fer, who died in a tragic accident and to whom she was unable to say goodbye.
Tomando las Riendas (Taking the Reins)
Escaramuza champion Rosa María Morales Rizo mentors her granddaughter, Ana Victoria, in the traditions of Charrería. As they train together, their shared love for the sport strengthens their family bond.
The Central Park Bubble Artist
A day in the life of a bubble artist in Central Park, New York.
AMA
There are many ways to lose one’s identity. One of the, our names. In Chinese culture, names form part of a heritage, they reunite families. However, distance, time and life itself draw us apart. Claudia starts searching for her family’s last name, and the real name of her grandmother in chinese, who she knows as Ama. A tribute to her grandmother.
A Piece of Memory
Grandma passed away when she was 95, but her presence still lingers in her house.
The Voice of Chinese Taipei
The film focuses on Tan Jun, a Taiwanese food blogger and founder of a catering brand, who settled in Nanjing and has a history of catering development in mainland China. And reflect the changes and trends in cross-strait relations from the development process of entrepreneurship.
All I Have is a Photograph
A grieving mother shares the story of the accident that took her husband’s life with her young son, a story told only through the fading photographs they have left behind.
How We Live
Unable to make a living in the city, A-Sheng decides to return to his rural hometown—to "plant himself back into the soil." But after witnessing the suicide of an old flower farmer who had been both a mentor and a friend, A-Sheng is consumed by rage and strikes out at his enemy with a sickle.
Pioneer Camp: Equality and Punishment
Through fragmented memories, a child in the GDR learns that obedience does not protect against punishment—at least not when you don’t fit the ideological mold.
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Student documentarians give us access to their worlds from all over the globe including Mexico, El Salvador, Taiwan, and all over the United States.

A-Sheng leads a group of three disaffected young men who roam the city’s outskirts at night, breaking into strangers’ homes. Their form of release: smashing televisions—an act born of frustration with a city that refuses to accept them. One night, during a break-in, they stumble upon a TV ad calling for people to “return to the land.” Moved by the message, A-Sheng and Shacun, who has a mild intellectual disability, decide to leave the city and “plant themselves back into the soil.” The third member, Skinny, chooses to stay behind in the urban-rural fringe.


Back in their hometown, A-Sheng and Shacun lease a plot of land and begin cultivating chrysanthemums. But when the buds fail to bloom, they meet an eccentric old flower farmer at a banquet who explains the issue: the plants lack sufficient light and need artificial sun lamps. Around the same time, Shacun’s dog bites Wang Shun, a man who uses his official position to retaliate by demanding they pay an arbitrary “tax.” The conflict escalates—Wang Shun publicly humiliates the old farmer by pulling down his pants. The farmer, overwhelmed by shame, returns home and takes his own life.



Before his death, the old man leaves his sun lamps to A-Sheng and Shacun. The tragedy causes tension between the two. While A-Sheng sets up the lighting in the chrysanthemum field, Shacun remains in bed, asleep. As night falls, a drunken Wang Shun breaks into their home and attempts to assault Shacun. Enraged, A-Sheng grabs a sickle and chases Wang Shun into the chrysanthemum field. Driven by a storm of past and present anger, A-Sheng kills him. Blood streams down a television screen—Wang Shun’s severed head perched on top—while the chrysanthemum buds, nourished by the blood, bloom more brilliantly than ever.

  • Runtime
    15 minutes
  • Premiere
    World Premiere
  • Director
    Chengyue Zhang
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