How objective can the camera be? Using the cinéma vérité technique, filmmakers from Iran, France, Oakland, and Serbia take a fly-on-the-wall approach to life unfolding in front of them. Featuring the short films THE YEAR OF THE ROBOT, SHADEGAN, HUNTSVILLE STATION, and THEN COMES THE EVENING.
Runtime: 88 minutes
A day in the life of a 12-year-old fisherman on his boat in Shadegan Pond, Iran. He worries about the uncertain future of Shadegan Pond and his own future should the Pond cease to exist.
- Year2019
- Runtime15 minutes
- LanguageEnglish
- CountryIran
- PremiereWorld
- DirectorAko Salemi
- ScreenwriterAko Salemi
- ProducerAko Salemi
- CinematographerAko Salemi
- EditorMohammad Shirvani
How objective can the camera be? Using the cinéma vérité technique, filmmakers from Iran, France, Oakland, and Serbia take a fly-on-the-wall approach to life unfolding in front of them. Featuring the short films THE YEAR OF THE ROBOT, SHADEGAN, HUNTSVILLE STATION, and THEN COMES THE EVENING.
Runtime: 88 minutes
A day in the life of a 12-year-old fisherman on his boat in Shadegan Pond, Iran. He worries about the uncertain future of Shadegan Pond and his own future should the Pond cease to exist.
- Year2019
- Runtime15 minutes
- LanguageEnglish
- CountryIran
- PremiereWorld
- DirectorAko Salemi
- ScreenwriterAko Salemi
- ProducerAko Salemi
- CinematographerAko Salemi
- EditorMohammad Shirvani