How objective can the camera be? Using the cinéma vérité technique, filmmakers from Iran, France, Oakland, and Serbia take a fly-on-the-wall approach to life unfolding in front of them. Featuring the short films THE YEAR OF THE ROBOT, SHADEGAN, HUNTSVILLE STATION, and THEN COMES THE EVENING.
Runtime: 88 minutes
The documentary depicts the bittersweet life of two grannies living isolated on the hills of Eastern Bosnia. Emphasizing the intangible cultural heritage through the presentation of chants and rituals for taming the adverse weather, hail, and storm, Then Comes the Evening reflects the simplicity and purity of their way of life, as well as their painstaking work.
- Year2019
- Runtime27 minutes
- LanguageSerbian
- CountrySerbia, Bosnia, Herzegovina
- PremiereLouisiana
- NoteEnglish subtitles
- DirectorMaja Novaković
- ScreenwriterMaja Novaković
- ProducerMaja Novaković, Milan Milosavljević
- CinematographerJasna Prolić
- EditorMarija Kovačina
How objective can the camera be? Using the cinéma vérité technique, filmmakers from Iran, France, Oakland, and Serbia take a fly-on-the-wall approach to life unfolding in front of them. Featuring the short films THE YEAR OF THE ROBOT, SHADEGAN, HUNTSVILLE STATION, and THEN COMES THE EVENING.
Runtime: 88 minutes
The documentary depicts the bittersweet life of two grannies living isolated on the hills of Eastern Bosnia. Emphasizing the intangible cultural heritage through the presentation of chants and rituals for taming the adverse weather, hail, and storm, Then Comes the Evening reflects the simplicity and purity of their way of life, as well as their painstaking work.
- Year2019
- Runtime27 minutes
- LanguageSerbian
- CountrySerbia, Bosnia, Herzegovina
- PremiereLouisiana
- NoteEnglish subtitles
- DirectorMaja Novaković
- ScreenwriterMaja Novaković
- ProducerMaja Novaković, Milan Milosavljević
- CinematographerJasna Prolić
- EditorMarija Kovačina