How objective can the camera be? Using the cinéma vérité technique, filmmakers from Iran, France, Oakland, and Serbia take a fly-on-the-wall approach to life unfolding in front of them. Featuring the short films THE YEAR OF THE ROBOT, SHADEGAN, HUNTSVILLE STATION, and THEN COMES THE EVENING.
Runtime: 88 minutes
As a series of archival documents detailing the first contacts and dialogue between a robot gifted with an artificially created autonomy and human beings, it studies cognitive dissonance, a minute, mysterious relational space sitting between the two actors.
- Year2019
- Runtime31 minutes
- LanguageFrench
- CountryFrance
- PremiereSouthern US
- DirectorYves Gellie
- ProducerYves Gellie
- CinematographerYves Gellie
- EditorThomas Lallier
How objective can the camera be? Using the cinéma vérité technique, filmmakers from Iran, France, Oakland, and Serbia take a fly-on-the-wall approach to life unfolding in front of them. Featuring the short films THE YEAR OF THE ROBOT, SHADEGAN, HUNTSVILLE STATION, and THEN COMES THE EVENING.
Runtime: 88 minutes
As a series of archival documents detailing the first contacts and dialogue between a robot gifted with an artificially created autonomy and human beings, it studies cognitive dissonance, a minute, mysterious relational space sitting between the two actors.
- Year2019
- Runtime31 minutes
- LanguageFrench
- CountryFrance
- PremiereSouthern US
- DirectorYves Gellie
- ProducerYves Gellie
- CinematographerYves Gellie
- EditorThomas Lallier