Bringing the Salmon Home is the story of three Indigenous Nations who are upholding their sacred responsibility to reintroduce the salmon, working with US Tribal relations and allies along the river. First person stories are combined with vivid landscape and underwater salmon footage, and archival film reels, to tell the long-hidden story of these Salmon People.

The people of Wal'áwa return to their homeland through the annual Tamkaliks celebration.

Having left Nunavut with her mother Kumaa’naaq (koo-MAT-na) in 1938, young Marguerite must negotiate the unspoken pressures of being Inuk in her new life in the South. When an extraordinary letter arrives from home, Marguerite discovers what’s really expected of her. Based on a true story.

When a young mother suffers a sudden and grievous loss, she seeks a miracle from God.

When a Queer Native Person at a music festival sees a Non-Native person wearing a ceremonial headdress, they retreat into their mind to find the perfect insult.

Elijah Cloud Striker was stolen. His father rides for weeks, visiting every residential school within hundreds of miles to find him. On the morning the Chief finds the right school, what he walks in on is more than any father can endure. Revenge is the only course of action. Synopsis: Cloud Striker is an intense fifteen-minute drama with the feel of a Western but told from an Indigenous point of view. The film has an emphasis on resistance, revenge and redemption. It is set against the backdrop of an Indian Residential School, Circa 1930. This is an unflinching look at the white entailment, hypocrisy, and the violence perpetrated against Indigenous children at these schools. Elijah Cloud Striker is a sixteen-year-old Indigenous kid who is forced to attend Saint Ignatius Indian Residential School. His father, Chief Cloud Striker, has come to the school to reclaim him. Upstairs Elijah is being abused and humiliated by the vicious Sister Beatrice. Downstairs his father, Chief Cloud Striker, negotiates his way past a condescending and hypocritical Father Christian. When the Chief begins to understand the abuse his son has been made to suffer at the hands of this nun, an act of violent retribution is more than justified.

Eastern Canada’s most successful 1960’s Indigenous art collective was nearly forgotten by the Canadian arts establishment, until, half a century later, a major gallery exhibition celebrates its unique visual style and voice.