Connect with the artists behind-the-scenes, and get insight into the making of some of today’s greatest animation features, shorts, and series.
Tom & Jerry (Warner Bros., 2021) sees two of the world’s most famous cartoon characters tumbling into our own 3D world.
Working across 1165 shots, some 600 VFX artists and 100 animators were presented with the challenge of staying true to the classic 2D Hanna-Barbera characters the world knows and loves while enabling them to live, breathe and brawl alongside a human cast.
Hear from Animation Supervisor Aulo Licinio and Compositing Supervisor Frederikke Glick about the complexities of this unique hybrid feature, which demanded classic 2D animation craftsmanship and cutting edge VFX to allow the two worlds to seamlessly co-exist.
Image © 2021 Warner Bros. All Rights Reserved.
SPEAKERS
Aulo Licínio
Animation Supervisor // Framestore
(Fantastic Beasts 3, Tom & Jerry, His Dark Materials, Fantastic Beasts 2)
Aulo draws from a wide pool of experience in feature film, TV, games and advertising — fitting in perfectly with Framestore’s diverse range of creative activities.
Aulo began his career in boutique animation studios before a successful freelance career, honing his character and creature skills for over a decade. He relocated to Montreal in 2014, where he brought a range of fantastic, realistic, and gruesome characters to life for film and TV such as A Monster Calls, The Legend of Tarzan, and most recently, His Dark Materials.
Aulo started his career at Framestore as a Senior Animator on the Academy Award-winning Fantastic Beasts and Where to Find Them and was promoted to Associate Animation Supervisor for the movie’s sequel.
His work as Animation Supervisor for His Dark Materials saw him win an Annie Award for the impressive polar bear fight sequence. He looked after animation for Warner Bros’ hybrid feature Tom and Jerry and is currently overseeing a cast of fantastical creatures in Fantastic Beasts 3.
Website // IMDb // Facebook // Instagram // Twitter // LinkedIn
Frederikke Glick
Compositing Supervisor // Framestore
(Peter & Wendy, Ms. Marvel, Tom & Jerry, Mary Poppins Returns)
Having built her experience across award-winning feature films, Frederikke brings an extensive amount of insight into her role as Compositing Supervisor.
A graduate in Motion Graphic Design from Hyper Island, Sweden, Frederikke’s career in visual effects was crafted at Framestore’s London studio nearly a decade ago. Specializing as a Paint Artist, she worked on a number of blockbusters including Harry Potter and the Deathly Hallows: Part 1 & 2, Transformers: Dark of the Moon and was part of the Framestore team on Alfonso Cuaron’s Academy Award-winning Gravity. Frederikke has also lent her expertise to films including Dracula Untold, Ridley Scott’s The Martian, and most recently, took on the role of Compositing Supervisor on Disney’s Mary Poppins Returns, which was shortlisted for an Academy Award in Best Visual Effects.
In her role as supervisor, Frederikke is responsible for designing workflows and overseeing her team of compositors to ensure a wide variety of high-quality work. Collaborating with several departments, she combines her in-depth technical knowledge and creative eye to achieve the best visuals possible.
Having relocated to Framestore’s Montreal office in 2014, Frederikke continues to contribute to the long-standing tradition of innovative VFX; ranging from the creation of key animated characters to complex environments and stand-out visuals. She is currently looking after compositing for Peter & Wendy for Disney+.
Website // IMDb // Facebook // Instagram // Twitter // LinkedIn
Connect with the artists behind-the-scenes, and get insight into the making of some of today’s greatest animation features, shorts, and series.
Tom & Jerry (Warner Bros., 2021) sees two of the world’s most famous cartoon characters tumbling into our own 3D world.
Working across 1165 shots, some 600 VFX artists and 100 animators were presented with the challenge of staying true to the classic 2D Hanna-Barbera characters the world knows and loves while enabling them to live, breathe and brawl alongside a human cast.
Hear from Animation Supervisor Aulo Licinio and Compositing Supervisor Frederikke Glick about the complexities of this unique hybrid feature, which demanded classic 2D animation craftsmanship and cutting edge VFX to allow the two worlds to seamlessly co-exist.
Image © 2021 Warner Bros. All Rights Reserved.
SPEAKERS
Aulo Licínio
Animation Supervisor // Framestore
(Fantastic Beasts 3, Tom & Jerry, His Dark Materials, Fantastic Beasts 2)
Aulo draws from a wide pool of experience in feature film, TV, games and advertising — fitting in perfectly with Framestore’s diverse range of creative activities.
Aulo began his career in boutique animation studios before a successful freelance career, honing his character and creature skills for over a decade. He relocated to Montreal in 2014, where he brought a range of fantastic, realistic, and gruesome characters to life for film and TV such as A Monster Calls, The Legend of Tarzan, and most recently, His Dark Materials.
Aulo started his career at Framestore as a Senior Animator on the Academy Award-winning Fantastic Beasts and Where to Find Them and was promoted to Associate Animation Supervisor for the movie’s sequel.
His work as Animation Supervisor for His Dark Materials saw him win an Annie Award for the impressive polar bear fight sequence. He looked after animation for Warner Bros’ hybrid feature Tom and Jerry and is currently overseeing a cast of fantastical creatures in Fantastic Beasts 3.
Website // IMDb // Facebook // Instagram // Twitter // LinkedIn
Frederikke Glick
Compositing Supervisor // Framestore
(Peter & Wendy, Ms. Marvel, Tom & Jerry, Mary Poppins Returns)
Having built her experience across award-winning feature films, Frederikke brings an extensive amount of insight into her role as Compositing Supervisor.
A graduate in Motion Graphic Design from Hyper Island, Sweden, Frederikke’s career in visual effects was crafted at Framestore’s London studio nearly a decade ago. Specializing as a Paint Artist, she worked on a number of blockbusters including Harry Potter and the Deathly Hallows: Part 1 & 2, Transformers: Dark of the Moon and was part of the Framestore team on Alfonso Cuaron’s Academy Award-winning Gravity. Frederikke has also lent her expertise to films including Dracula Untold, Ridley Scott’s The Martian, and most recently, took on the role of Compositing Supervisor on Disney’s Mary Poppins Returns, which was shortlisted for an Academy Award in Best Visual Effects.
In her role as supervisor, Frederikke is responsible for designing workflows and overseeing her team of compositors to ensure a wide variety of high-quality work. Collaborating with several departments, she combines her in-depth technical knowledge and creative eye to achieve the best visuals possible.
Having relocated to Framestore’s Montreal office in 2014, Frederikke continues to contribute to the long-standing tradition of innovative VFX; ranging from the creation of key animated characters to complex environments and stand-out visuals. She is currently looking after compositing for Peter & Wendy for Disney+.
Website // IMDb // Facebook // Instagram // Twitter // LinkedIn
