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6 films in package
La Nouba Des femmes du Mont Chenoua
Finally available in the United States, this classic film from the acclaimed, late novelist and filmmaker Assia Djebar is essential viewing for an understanding of women in Algeria. Taking its title and structure from the “Nouba," a traditional song of five movements, this haunting film mingles narrative and documentary styles to document the creation of women’s personal and cultural histories.
Rising Above: Women of Vietnam
Vietnamese women overcame seemingly insurmountable odds in wartime. Their peacetime challenge is to rise above centuries of obedience and self-denial to build their own and their country's future.
Jamila's Mirror
Jamila’s Mirror deals with the memories of Palestinian female guerilla fighters, currently in their forties, who were involved in military operations during their teen years.
Have You Ever Killed a Bear? or Becoming Jamila
Have You Ever Killed a Bear? or Becoming Jamila is a video made after a performance whose starting point is an inquiry into Algerian freedom fighter Jamila Bouhired. The research focuses on the different representations of Jamila in cinema, as well as on her assimilation and promotion in the Egyptian cultural magazine Al-Hilal (The Crescent) during the 1950s and '60s.
Refusing To Meet Your Eye
August 1969, Leila Khaled and Salim Al-Issawi, two members of the PFLP hijack a flight on its way from Rome to Tel-Aviv, diverting it to Damascus Airport. Leila describes details of the operation and the intentions behind blowing up the empty plane in Damascus in her autobiography, stating that a photographer was waiting at the airport to document the event. Nevertheless, he forgets to take off the cap of his camera lens, and the archive is left with a black photograph. Takriti takes the black photograph as a point of departure for this work, investigating what images can tell us and how we read them in relation to historiography.
My Name is Mei Shigenobu
A delicate portrait of Mei Shigenobu, daughter of the founder of the Japanese Red Army in Beirut, Fusako Shigenobu.
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AFTER THE HOUR OF LIBERATION adapts its title from Heiny Srour’s 1974 film, The Hour of Liberation has Arrived, which captured the Marxist-Leninist rebellion against the British in the Dhofar region of Oman as it unfolded. In contrast, the films in this program document the afterlives of revolution; each revisits a resistance movement and centers the women—some infamous, others overlooked—who were at the forefront of these anticolonial struggles. Filmed decades later, freedom fighters from Algeria, Palestine, and Vietnam reflect on their role alongside their male counterparts, as well as their current circumstances and the temporality of liberation. In more recent video works by Marwa Arsanios and Huda Takriti, the artists examine the representations and imaginations of Djamila Bouhired and Leila Khaled respectively, unpacking the simultaneous celebration and marginalization of these women as they are transformed into icons.


AFTER THE HOUR OF LIBERATION is curated by Dina A. Ramadan and is co-presented by ArteEast and DCTV. This program is part of the legacy program Unpacking the ArteArchive, which preserves and presents 20 years of film and video programming by ArteEast. Selections from AFTER THE HOUR OF LIBERATION will be screened in-person at DCTV on February 10th followed by a discussion with Samah Selim moderated by the curator. For more information about the in-person screening visit firehousecinema.dctvny.org. The full program will be screened online on artearchive.org from February 11 - 21 2026.



Jamila’s Mirror deals with the memories of Palestinian female guerilla fighters, currently in their forties, who were involved in military operations during their teen years.


About the Filmmaker:


Arab Loutfi is a filmmaker, writer, and journalist. After working for many years on feature films with Mohammad Khan and Atef Altayeb, she moved into the field of documentary filmmaking. Her first documentary, The Upper Gate, was an intensely personal account about Sidon, her hometown, in which she wove a history of the city through the stories of its people. Her second film, Jamila’s Mirror, dealt with the memories of Palestinian female guerrilla fighters, currently in their forties, who were involved in military operations during their teen years. Loufti's subsequent works in filmmaking were Seven Nights and a Dawn, Rango, and The Egyptian Wedding. She later created the films Short Visit; Stories from Gaza; Bird of Prudence; Playing with Democracy; Dark Room, Radiant Life; Tell Your Tale, Little Bird; and Over Their Dead Bodies. In all her works, she attempts to show that by simply taking just two steps out of the world inhabited by the middle class and intellectuals, she can finds a life in which people have their own music, cultural tastes, and passions. She has also sat as a jury member in many film festivals including the Dubai Film Festival, Al Jazeera Film Festival, Docudays Film Festival, Ismailia Film Festival, Documentarist Film Festival, Alexandria Short Film Festival, and others. She is an active member of the Arab Documentary Filmmakers Union, as well as the Egyptian Film Critics Union.


  • Year
    1993
  • Runtime
    25 minutes
  • Language
    Arabic
  • Country
    Palestine
  • Genre
    Documentary
  • Subtitle Language
    English
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